Saturday, December 31, 2011

New Years Rockin' List

"The list is the origin of culture" 

Umberto Eco


The best/worst list is a staple of the New Year ritual, along with bowl games and Dick Clark’s New Years Rockin’ Eve. I have been going through many of these and, emulating one source for quite a few of these lists – The Huffington Post, I have decided to “aggregate” my choices for the Top Ten List of New Year Lists. You’re Welcome.

Asking, again, the question "How is Sears still a business?"

I would add any word with "Crowd" stuck in front of it.
2012 - The year 3D printing came to the masses.Thank God! Not a moment too soon.

My favorite internet discovery of 2011. 

Doesn't it kinda feel like '42? Europe collapsing, economy still sucks, the idea of not invading Iran is "dangerous isolationism".

As a Brooks fan, I'm interested in a satirical take on his thinking. Maybe not from a writer for Jimmy Kimmel, the lamest of the late night monologues.

Let me know when Hef is dead, until then I don't want to hear about it.

I LOVE ADVERTISING!!!

2. Best Internet Comedy Videos Of 2011 Nothing further need be said.

Some great work, including my flat out favorite thing of 2011: 



That's it for me in 2011. Happy New Year Everyone!

Wednesday, November 30, 2011

My Dogs

I've been working on an illustration for the ABOUT page page of my web site, which involved doing a bunch of sketches of these four goofy canines I live with. Since it is the last day of November and I don't have any better ideas, I thought I would share a few of them as my monthly blog entry. I hope you enjoy them.



Monday, October 31, 2011

Road Trip

Alta Sierra is a small community of almost 7,000 people in the foothills of the Sierra Nevada mountains in Nothern California, I drive through it all the time on my way back to my home in Nevada City. Earlier this month I stopped to visit The Biblical Gardens, the signs for which, out on Highway 49,  had caught my eye for years. Now here I was.



A bucolic retreat nestled amid ancient oaks, maple and pine trees, there is a stream running through it and was a popular watering hole for wagon trains during the gold rush.

In 1971 John Sommers from nearby Sacramento found this spot to build his retirement home and over the years, aided by his wife Vera and guided by very specific instructions from God, he built the garden and continues to maintain it today.



A stone monument inside the entrance is inscribed:

Alta Sierra Biblical Gardens
Commissioned by God, June 15, 1971


The very ground on which you now are standing is Hallowed Ground. I, a stranger, stood here alone after sunset being elated by the rushing sound of the brook, the peace and tranquility. I lifted my eyes heavenward praising God, when suddenly the Glory of God surrounded me.
God spoke: I trembled and shook. God granted me the spirit to know Him. Ephesians 1:17. God's spirit joined the spirit within me, and I was lifted. God said, " John, follow Me, feed My lambs: here you will build a garden, portraying the life and passion of Jesus Christ."
After being told my commission and how all this was to come about, I promised to do His will and assume the task.


John Sommers






















Now, I'm just a local boy in love with landscape, either with cultural adornments or served raw, but to me you just can't help but admire a project like this, either with religious reverence or hipster irony. Does it matter which?

Friday, September 30, 2011

pablo

I am arriving very nicely and simultaneously at this final little Pablo Picasso portrait, using Maya, Mudbox, Painter and Photoshop, and the truly astounding, three volume biography of the self-same genius by John Richardson. The eloquent vividness and scholarship of this account of a truly remarkable and sadly unique period of revolution in the means of cultural production in the western world left me with a new admiration for this Spanish Master, the Screwy Squirrel of modernism.

Wednesday, August 31, 2011

Maya and Mudbox

I'm working with Maya quite a bit these days, struggling with the massive menu structure and new ways of working. As I promised last month, I've attempted to build a head of Pablo Picasso. Well, its still pretty funky but here's what I have so far.


Today I started moving the geometry into Mudbox, with which I am even more of a novice. This is a truly amazing program, and in combination with Maya the prospects are endless, but the learning curve is steep indeed. It is very easy to create massive files of millions of polygons without much effort and bring down the software when you try to render. As you can see, I haven't even gotten into any fancy lighting or effects yet. I seem to have lost the likeness a bit, I kind of went overboard with the Mudbox stencils, but I will keep plugging away on Ol' Pablo.



Sunday, July 31, 2011

Ah, Summertime

I haven't posted in a bit, been outside enjoying the Summer. I've also been reading the giant, three volumes of John Richardson's Life of Picasso. It is a very detailed account of every aspect of the painters life but the period I found most interesting was that pivotal, but amazingly brief period of the explosion of Modernism across Europe (mostly Paris) from the beginning of the 20th Century until the outbreak of WWI in 1914.


The guy had a great head and I've been doing some drawings of him. I refined things down to a side and front to take into Maya and model a 3D Picasso (appropriate for the inventor of Cubism), which I will show you next time.












Now get outside and enjoy the weather, it will be Autumn before you know it.

Tuesday, June 7, 2011

ipad sketchbook

I’ve been trying out my iPad as a sketchbook, taking it with me on walks or sitting outside when the weather clears; it works pretty well, the screen is clear and visible in a variety of lights, glare was only a problem on extremely sunny days and only at certain angles. 


 The apps I’ve settled on, after test driving a half dozen or so, are Autodesk’s Sketchbook Pro and ArtStudio from Lucky Clan. This drawing was done with ArtStudio, the brush designer is very PhotoShop like, with a Pencil, a Brush, a Wet Brush, and an Airbrush, with settings for size, opacity, jitter et… you can fill in large areas, but with randomness in a number of ways, making interesting textures very quickly. Like PS, it comes with a bunch of filters. Sketchbook Pro, used for the drawing below, has been around for a while but recently adapted to the iPad. Like most AutoDesk products, this is a solid piece of software with lots of variables and options; I found it much more touch sensitive than ArtStudio and suited for making interesting organic marks. The interface is a bit confusing and to call up the controls you wrap with three fingers on the screen, which kind of breaks the flow of drawing. My main complaint for both apps is no eyedropper tool, essential for painting rapidly. You have to be constantly re-setting the color sliders because you can’t sample from the document.


As I write this I’m browsing through the app store and stunned to see how many new drawing tools have sprung up just since I did my original tests, about four months ago, and with all kinds of niche twists and specialized functionality. 

It’s not a huge insight to predict that something called “touch-screen technology” was likely to have a major impact on the act and idea of drawing, but couple that with the huge development community that has already emerged and the portability and sensitivity of the device itself, I just see this torrent, this cascade, this torrential cascading explosion of drawings, as with photographs, gorging the server farms and flying around in cyberspace. Democratized or merely attenuated, the sheer volume will be something to behold and will certainly alter the way we create and think about drawings.

Thursday, May 19, 2011

Kruk & Kuip on the air

Friday afternoon, I’m knocking around the house, flipping through books, looking for inspiration for this, my first blog post. I’m watching the Giants getting hammered by the Cubs at Wrigley Field, Madison Bumgarner continuing his winless ways, and my attention wanders to the broadcast itself. 

In times like these, when the game has gotten away, but with several innings still left to fill, you really appreciate the wonderful good fortune that Giants fans enjoy in our eminent team of correspondents, Kruk & Kuip, aka Mike Krukow and Duane Kuiper. Individually, they are each outstanding broadcasters, with careers and credentials that make their play-by-play and color commentary a valuable asset to the viewers; but together they have become that rare and wonderful thing, a couple of guys you look forward to spending some time with, maybe watch a ballgame.


They both played for the Giants, had modest careers with prior clubs, Krukow with the Chicago Cubs (1976–1981), 1982 with the Phillies, but his best years were in S.F. including ’86 when he went 20-9 with a 3.05 ERA and finished third in that year's NL Cy Young Award voting behind Mike Scott and Fernando Valenzuela. Duane Kuiper was a solid 2nd baseman and a disciplined hitter for the Cleveland Indians, leading the American League in fielding percentage at that position in ’76, Giants picked him up in 1982, for Ed Whitson.

One of the things I love about XM radio, which I’ve had for several years now, is listening to the broadcasts of any MLB game, all season, with the hometown feed, including local ads. You get a chance to hear the team as it is presented to the local market, including the local radio team; the differences are not that subtle. Even in this day of homogenized mass media content, a Boston Red Sox game is still different, delivered in a tone and pace, with asides and observations unlike those that accompany a game broadcast from the Astrodome.

In my opinion the National League is the clear winner in quality announcers. As much as I hate to admit it, the Gold Standard still resides with the Dodgers, in Vin Scully, the Fred Astaire of baseball announcers. There is just nothing else like what that voice brings to a July evening. I will always remember making the long drive west from Las Vegas, the sun setting across the vast desert, air hanging quietly, beginning to cool, as the sky darkens and the moon appears, Vin Scully, slowly, fitfully materializes on the airwaves, describing Dave Parker standing in against Burt Hooten; as close to a spiritual experience as you need to get.

I also like Bob Uecker in Milwaukee, Marty Brennaman in Cincinnati, and I will miss Ron Santo, the Cubs great who passed away in the off season. I know he is going into the Hall of Fame, but I just can’t stand Jerry Coleman.



The Giants have had their share of great voices over the years, Al Michaels, Hank Greenwald, Bill King and of course Jon Miller but these guys never connected with that natural, gracious alliance of a perfect broadcast partner, the congenial affiliation of style and personality that both fills up the more sluggish parts of a ballgame and renders the action scenes more vivid; this is what is hard to come by.  Hank Greenwald will always be my favorite Giants announcer but he never really clicked with either Lindsey Nelson or Ron Fairly. You have to go back to the iconic team of Russ Hodges and Lon Simmons, who sat in the radio booth from 1958, through the great teams of the ‘60s and are forever the voices of baseball in my childhood, to find an apt analogy. I just hope the now rapidly swelling ranks of those cheering on the orange and black understand and enjoy the rarity of our good fortune.